~ Margaret Mead
Nothing in my childhood is really worth writing, but for the most part, I have little to regret about it. For all of the folly and violence, the misuse of trust and the brainwashing, I'd say that I came out far better than most do. That being said, I only have snippets, really. Mush like now, most of my days were the same, which makes them hard to recall in any specific order.
I remember photographs; a child with curly blonde hair sitting on the front steps to an apartment building in a small complex. He looks happy and is holding a stuffed animal, and there is no one else in the picture. I don't recall ever being there, or being that child, but I do remember the picture. I find it odd that memory works that way.
I remember, vividly, the first time that I came home to find my mother, passed out drunk, on the floor. I had just gotten off of the bus, let myself in the house, and there she was on the floor. She was wearing sweatpants, a ruffled red shirt, and was face-to-face with her own vomit. For what it's worth, she looked content.
There are blurs of Christmas, gifts unwrapped and strewn about the living room so I could peruse them and not be bothered with the hassle of unwrapping them. Upon retrospect, it may just be because she didn't want to clean up the mess, or drank to late into the night to wrap them. It's hard to say for certain.
I was never a particularly popular child. I think that is due in no small part to living with a single mother that was completely outside the realm of anything even remotely normal or stable. I guess that she tried, but really, what does it matter in the end? A failure is a failure, and that's basically all that it boiled down to.
I realize that thinking too far into my life with my mother doesn't really cover the complexities of childhood, or even a single moment of childhood, but in a lot of ways, I never really got to have one. Between dragging her to bed, making sure that I fed myself, doing my own homework, and a veritable laundry list of other things that should have been done for me, I really wasn't very much of a child in anything but age and experience.
It's too bad, really. I would have liked this to be one of those pieces that a lot of people would read and relate to. I would like to go on about days of following the creek, trying to find out where it ended. I would like to talk about long bike rides with friends, and how we would head out at eight in the morning and not return until six in the evening, and all of the adventures we had in between those times. I'd even like to talk about the time I fell into the foundation of a large building that was being constructed and how the firemen literally had to run a ladder over it and dig me out. Sadly, though all of these things happened, nothing is more ever present in my memories of childhood than being robbed of my childhood.
I'd like to say this to my childhood, though:
We did make it out. Though it took years upon years, cost us time, money, friends, women and, at times, our freedom, we made it out.
See, my inner child wasn't beaten. It was forced to retreat a tad bit early, but when I look around the room that I currently occupy, I see all the signs of my childhood still active. I have my horror movie posters on the walls, a massive collection of action figures, statues and comic books. From time to time, no one on this planet enjoys a bowl of Fruity Pebbles as much as I do, and I still like staying up late at night, just because I'm excited about life and hate wasting any moment of it.
But the story of my escape and eventual liberation is a story for another time. And though she put me through a considerable level of hell, I forgive my mother for almost all of it.
You've sent me off to wikipedia to find the fancy name for the rhetorical device you're using this week and last. I think this is it:
ReplyDeleteParalipsis
Paralipsis (παράλειψις), also spelled paraleipsis or paralepsis, and known also as praeteritio, preterition, cataphasis (κατάφασις), antiphrasis (ἀντίφρασις), or parasiopesis (παρασιώπησις), is a rhetorical device wherein the speaker or writer invokes a subject by denying that it should be invoked. As such, it can be seen as a rhetorical relative of irony. Paralipsis is usually employed to make a subversive ad hominem attack.
The device is typically used to distance the speaker from unfair claims, while still bringing them up. For instance, a politician might say, "I don't even want to talk about the allegations that my opponent is a drunk." A political advertisement may say, "Vote for Smith for sober leadership", implying that Jones, his opponent, is an irresponsible drunk.
Proslepsis is an extreme kind of paralipsis that gives the full details of the acts one is claiming to pass over; for example, "I will not stoop to mentioning the occasion last winter when our esteemed opponent was found asleep in an alleyway with an empty bottle of vodka still pressed to his lips."[2]
Paralipsis was often used by Cicero in his orations, such as "I will not even mention the fact that you betrayed us in the Roman people by aiding Catiline."[citation needed]
Examples:
"It would be superfluous in me to point out to your lordship that this is war."
—Charles Francis Adams, U.S. Ambassador to Britain , dispatch to Earl Russell, 5 September 1863, concerning Britain's relations with the Confederacy.
"Ssh," said Grace Makutsi, putting a finger to her lips. "It's not polite to talk about it. SO I won't mention the Double Comfort Furniture Shop, which is one of the businesses my fiance owns, you know. I must not talk about that. But do you know the store, Mma? If you save up, you should come in some day and buy a chair."
—Alexander McCall Smith, Blue Shoes and Happiness, Chapter 4
A more positive usage of paralipsis/paralepsis embodies the narrative style of Adso of Melk in Umberto Eco's The Name of the Rose, where the character fills in details of early fourteenth-century history for the reader by stating it is unnecessary to speak of them
Paralipsis is a personal favorite of mine: beating up someone while loudly proclaiming one's pacifism is a dandy trick!
ReplyDeleteBoth this piece and last week's are rich, muscular, and flexible, but don't get complacent and ride the damn horse to death, okay?
Interesting to see that your thumbnail bio for blogger employs the same paralipsis idea!
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ReplyDeleteI can assure you that, at least for now, I'm over the whole paralipsis thing. The first time, I was really just basing it off of your lecture for the week, where you were basically invoking it to talk about where you grew up. This past week, I was using it for what most people use it for; to separate myself from something I didn't want to write too fully about. I'll be a little more "hands on" in the upcoming assignments.
ReplyDeleteI wish there were an "edit comment" button, so I don't have to delete whole posts for simple editing.
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ReplyDeleteYeah, those deleted comments really stoke the old paranoia, eh?
ReplyDeleteHa, it had escaped my notice that my lecture featured paralipsis! It's a very attractive and useful rhetorical device.